The only Pramana which exists for me is just "Shree Lakshmi-Tantra", the Only Adored Goddess is Shreemati Lakshmi-Devi
пятница, 20 сентября 2013 г.
The incredible articles authored by Sri M K Srinivasan
This google site is not as simple as it seems to be - https://sites.google.com/site/sankalpamorgmksrinivasan/!!!
Actually, it is the Treasure House of very incredible articles.
Please pay special attention to the Page "Sri Vedanta Desika", because it contains truly incredible Articles.
If you complile all these files in one file, you will get the Book of very superb quality, which dwells on many aspects of Shree Vaishnava Siddhanta.
"Shree Lakshmi-Tantra", 04.39: "The devAs and the humans call Me as MahAlakshmi, MahASrI, CaNDA, CaNDI and CaNDikA"
Chapter 04 of "Shree Lakshmi-Tantra" is very beatiful and Shreemati Maha Lakshmi-Devi speaks about Herself as Being Shreemati Maha Kali-Devi, Shreemati Durga-Devi and Shreemati Chandika-Devi, BUT JUST IN ANTARYAMI ROOPAM.
Sadagopan.org has published First 4 Chaptes of "Shree Lakshmi-Tantra" and I liked very much the explanation of the above-mentioned Names of Shreemati Lakshmi-Devi from Volume 04.
What I especially liked is the explanation about Antaryami by Oppiliappan Koil Varadachari Sadagopan.
I have refered to 4 Volumes of "Shree Lakshmi-Tantram" (only 4 First Chapters were published by SADAGOPAN.ORG) and to "Dhvaya-Churukku" by Shree Shreemad Vedanta Desika while preparing this article (both editions of SADAGOPAN.ORG, please refer to my folders in order to study these Books - dropbox, box, cubby and google)
"Shree Lakshmi-Tantra", Volume 04 (from Verse 39)
SHREEMATI MAHA LAKSHMI-DEVI SAID:
04.39. "The devAs and the humans call Me as MahAlakshmi, MahASrI, CaNDA, CaNDI and CaNDikA".
We can not conclude on this basis that MahA Lakshmi is same as these devatais.
In the 10 th chapter of Bhagavat GitA, Lord KrshNa describes Himself as Rudran, Kuberan et al.
What He meant was that He is the anataryAmi of all these devatAs, who are His servants.
The situation is similar here and MahA Lakshmi is indicating that She is the indwelling and empowering force in all these devatas, who are created and commanded by Her.
04.40. "Further, the people address Me as BhadrakALi, BhadrA, kALi, Durgai, MaheSvari, triguNA and by other names. They also call Me as Bhagavati since I am the consort of BhagavAn".
04.41. "When I manifest My fundamental state in different ways, I am addressed by Names specific to that state. The Names referred to in the past two Slokams are some of these sacred names. I will elaborate on them now to You".
The Meaning of the Name "MAHALAKSHMI"
04.42. "I am addressed as MahAlakshmi because I engage in sorting out the good deeds (puNyams) and bad deeds (pApams) in this world. Therefore I am highly regarded and adored as MahAlakshmi".
The Meaning of the Name "MAHASHREE", "CHANDI" and "CHANDIKA"
04.43. "They call Me as MahASrI since I am the refuge for the good people. They call me CaNDI because I am the consort of CaNDan (Rudran). I am called CaNDikA because I am beyond the power of any one to control Me".
He revealed that He is Rudra antaryAmi. Here, MahA Lakshmi implies that She is the antaryAmi of CaNDan's (Rudran's) consort and hence addressed as CaNDI".
The Meaning of the Name "BHADRA" and "KALI"
04.44. "I am saluted as BhadrA since I confer all MangaLams to My devotees. I am called kALi in recognition of My protection of the auspicious and for being the kAlan (mrtyu) for all the enemies of the good people".
The Meaning of the Name "BHADRAKALI"
04.45. "I am saluted as BhadrakAli because of the help I give to good people and punishments I mete out to the wicked. Because of the astonishing arrays of auspicious guNams that I display, I am addressed as mAyA".
The Meaning of the Name "MAHAMAYA", "MOHINI", "DURGA"
04.46. "I am worshipped as MahAmAyA since My mAyai/mahatvam (greatness) pervades everywhere. I am saluted as Mohini since I immerse all in moham (delusion). I am called Durgai because I am hard to attain and also because I protect My bhaktAs".
The Meaning of the Name "YOGA", "YOGA-MAYA" and "MAYA-YOGA"
04.47. "I am revered as YogA or Yoga mAyA because I unite the jIvan with My Lord and serve as a bridge in this action. I am also saluted as mAyA yogA since I am the bridge between humans and the J~nAnam".
The Meaning of the Name "BHAGAVATI" and "DHARMA PATNI"
04.48. "I am addressed respectfully as Bhagavati because all the six pradhAna (mukhya) guNams of the Lord are fully present in Me. I am recognized as the dharma PatnI of the Lord since I receive the havir-bhAgam during the Yaj~nams".
The Meaning of the Name "VYOMAN", "PURI" and "PARAVARA"
04.49. I am saluted as Vyoman since all auspicious guNams are present in Me in a generous way (broad manner).
I am addressed as pUri since I pervade in all things in a full (pUrNa) manner.
I am worshipped as ParAvarA because of my exalted rUpam (rUpa guNa sampannai)".
Oppiliappan Koil Varadachari Sadagopan: "The name ”parAvarA” is one Name for Brahman in the Upanishadic parlance (MuNDaka Upanishad 2.2.9: tasmin drshTe parAvare)".
The Meaning of the Name "SHAKTI", "RAJNI" and "SHANTA"
04.50. "I am saluted as Sakti because I am capable of completing anything I attempt. I am addressed as rAj~nI since I gladden the heart (ranjayati iti) of my devotees. I am worshipped as SAntA since I do not undergo any changes and stay tranquil".
The Meaning of the Name "PRAKRITI".
Shreemati Lakshmi-Devi is the Precious Ashraya for Her bhaktas.
04.51. "I am saluted as Prakrti since I construct (create) this universe and its beings. This is the third type of creation. I stay as the refuge for My devotees and remove their sins".
04.52. "I hear the dInAkrAntam (sorrowful cries) of the suffering samsAri jIvans with compassion.
I make this universe happy with My wide set of auspicious guNams.
I stay inside the mind and Buddhi (anta:karaNams) of all jIvans. I gladden the hearts of the jIvans, who have accumulated puNyams".
04.53. "All the devAs and devatais perform ArAdhanam for Me. I stay as the SarIram of MahA VishNu. Those experts in Veda vedAntams address Me as SrI Devi (because of their knowledge of the six meanings of the name “SrI”)".
THE SIX MEANINGS OF SRI SABDHAM
SreeyathE: She is reached by all those, who want ujjeevanam (upliftment) from SamsAric sorrows.
SrayathE: To save her suffering children, she approaches Her Lord.
SruNOthi: She Listens. She listens to the chEthanams who pray to her to place them at the sacred feet of Her Lord.
SrAvayathi: She makes the Lord listen to Her regarding the sufferings of the jeevans.
SruNAthi: She banishes. She banishes the Moksha VirOdhis for the Mumukshus (Those who desire Moksham).
SreeNAthi: She makes the jeevans attain a ripe stage fit to qualify for Moksham. She perfects the ChEtanam to perform Kaimkaryam for Her Lord.
Our SrI DEvi, Our Mother with such Vaibhavam shines with Her Lord and stays in our mind permanently. Swamy Deikan declares that the Lord, who is resplendent with His PirAtti (ThiruvudanE hihazhwAr) stays always (nithya vaasam) in his hrudhaya kamalam (YenKal chinthayuLE seRinthAr).
четверг, 19 сентября 2013 г.
"Venkatesha Mahatmyam" (Sanskrit-English)
My favourite Chapters from "Venkatesha-Mahatmyam":
1) The Chapter, which tells about the Love of Shreemati Lakshmi-Devi to Bhagavan Shree Vishnu and the description of the Various Rupas, Which Shreemati Lakshmi-Devi assumes in order to serve to Her Beloved Husband Bhagavan Shree Vishnu (for example, Shreemati Lakshmi-Devi can assume the Forms of Amorous Gardens and Flowers in order to make Her Leelas with Bhagavan Shree Narayana more incredible and amazing).
2) The Chapter about the Lotus Foot of Bhagavan Shree Vishnu.
The compiled PDF-file has been made by me, because initially there were 18 separate PDF-files, which you can find here - http://www.sistla.org/Srihari-Lyrics/Tirumala%20mAhAtmyaM.htm
Please don't hesitate to download the compiled file from my folders, because "Venkatesha-Mahatmyam" is outstanding masterpiece!!!
DOWNLOAD IN ONE PDF-file:
T H I S S C A N B E L O N G S T O T H E F A M I L Y O F M Y C O M P A C T
V A I S H N A V A E - L I B R A R I E S , T H E Y C A N B E F O U N D O N :
Wordpress (a catalogue with pictures and cloud links to PDF-scans) - #Wordpress
Nimbus (this is just a TXT-version without pictures) - #Nimbus
Airborn (the mirror of Wordpress) - #Airborn
GoogleDocs (the mirror of Wordpress) - #GoogleDocs
Airborn (the mirror of Wordpress) - #Airborn
GoogleDocs (the mirror of Wordpress) - #GoogleDocs
среда, 18 сентября 2013 г.
"Shree Lakshmi-Tantra", the Anugraha of Shreemati Lakshmi-Devi and the notorious "Kaivalya-Mukti" mistake of Sanskrit-English translators
Actually, I am against the studying of the separate Chapters from "Shree Lakshmi-Tantra", because this Tantra must be studied from the First Chapter to the very Last Chapter, because if you study only the excerpts, you will be misguided.
Nevertheless, I will quote Chapter 13 from the English edition, because it is the Chapter about Anugraha of Shreemati Maha Laksmi-Devi and because I have noticed the mistake in the Verse 13.14 (in English translation, of course).
Wikipedia falsely tells, that "Shree Lakshmi-Tantra" has Advaitic influences, but it is not "Shree Lakshmi-Tantra", that has Advaitic influences, but the English translation of the Tantra.
There is a classic and very notorious mistake of nearly all Sanskrit-English translations:
in 90% of cases translators don't differentiate between the kinds of Mukti and just write something Advaitic like "and then jiva merges in Brahman", though actually in 90% of cases the translation must be rendered as:
"jiva obtains Mukti at the Abode of Bhagavan Shree Vishnu" or
"jiva becomes Brahm-rup" (this right and very good translatiton is often used in the Books of Shree SwamiNarayan Sampradaya) or
"jiva reaches the Abode of Bhagavan Shree Vishnu".
I have been noticing this kind of mistake in many English translations ("Shree Padma-Purana", "Shree Varaha-Purana" and etc.).
If a translator has Advaitic background and Shankara-influenced, then sorrowfully nearly all the verses about Mukti will be out of step with Vaishnava-Siddhanta and will be replaced by something like "and then jiva merges in Brahman".
See page 70 in this English edition of "Shree Lakshmi-Tantra" and the note of the translator about Mukti to rest assured of the written above by me.
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| "Shree Lakshmi-Tantra", page 70 (wrong translation of the Verse 14 and Advaitic remark to it, not suitable for the translation of Vaishnava-Tantra) |
The translator (Sanjukta Gupta) writes the following in the remark: "Emancipation (mukti) is being identical with Brahman, the supreme Essence, which is but a return of the part to its original whole", that is he writes about Kaivalya-Mukti.
In reality, none of the Vaishnava-Acharyas never support the idea of Kaivalya-Mukti, because this type of Mukti is considered to be fit only for the lowest type of jivas (mainly for demons, cheap Gyani-advaitins and atmarama-yogins).
All the Vaishnava-Acharyas always tell only about such type of Mukti, which implies the Dasya to Bhagavan Shree Vishnu and Shreemati Lakshmi-Devi. And Prema-Bhakti, of course.
And, of course, Shreemati Maha Lakshmi-Devi in Her Own "Shree Lakshmi-Tantra" spoke about "jiva reaching the Abode of Bhagavan Shree Narayana and Shreemati Maha Lakshmi-Devi", but not about "becoming one with Brahman".
I will dwell on this more in my commentary to the verse 14 below.
So, there are no Advaitic influences in the original "Shree Lakshmi-Tantra" in Sanskrit, the Advaitic influences occur only in English translations.
Vaishnava-Sankhya-Yoga in the spirit of Bhagavan Shree Kapila, yes, it is inherent to "Shree Lakshmi-Tantra", but Vaishnava-Sankhya-Yoga differs from Shankara-Advaita at 10000000000000000 rate.
My original wish was actually to write not about the mistakes in translation, but about The Anugraha of Shreemati Maha Lakshmi-Devi.
"Tirobhava" is also very crucial notion to write about, because Shree Shreemad Vallabha-Acharya used this notion a lot for explaining His Vedanta and the Idea of Leelavada.
"Shree Lakshmi-Tantra", Chapter 13 "The true form of jiva"
13.01. Shreemati Maha Lakshmi-Devi said: "Shakra, the Anugraha-Shakti is traditionally known as My Fifth (Shakti). My son, I am now going to describe Her True Nature to you.
13.02-03. These (jivas) are deluded by avidya, subjected to the (illusion) of asmita (false material ego) and overwhelmed by my Shakti called Tirodhana.
In general they fall from a higher to a lower position; (but) at the same time they also show a tendency to ascend from lower to higher positions. Such jivas are subjected to three types of bondage and move through the three states (regions).
13.04. Broiling in their own deeds, (they) are in the very centre of the hot coal that represents mundane life; they inveterately seek happiness but (instead), owing to ignorance, get crushed by misery.
13.05-08. As movable and immovable beings they continuously pass through an endless chain of births.
Inextricably enmeshed in the miseries of body, senses, mind and intelligence through the results caused by certain deeds, (jivas) are ever subjected to recurrent birth and death, and undergo affliction through systematic exertion or its absence (i.e. attempts to avoid misery or to pursue happiness, as the case may be).
(These considerations) engender (in me) endless compassion for these jivas.
I obliterate their sins and I, Shreemati Maha Lakshmi-Devi, ensure that (such) jivas escape beyond the clutches of misery.
(This act of compassion) is called Anugraha, which is also referred to as the 'descent' of the Supreme Shakti.
13.09. Having received My Grace, they are absolved from their karman (i.e. extinction of consequences). The jivas infused with My Grace possess only apascima 2 (non-phenomenal) bodies.
13.10. The precise moment of the descent of Anugraha is known only to Me. It cannot be brought about by human effort, or by any other means.
13.12-14. And he, having reached the state of karmasamya (pacification of karman), then confines himself to performing good deeds, to attaining knowledge of the Vedanta, to following (the course of speculation and meditation laid down in) the Samkhya and Yoga and through a correct understanding of Sattvata (philosophy), becomes imbued with pure devotion for Bhagavan Shree Vishnu.
Then (gradually) after lapse of time the yogin (the meditating adept), who has shaken off all accumulated afflictions (klesas) by freeing himself from every shackle, glows brightly (liberated) from all attachments
and (ultimately) becomes one with the supreme Brahman represented by Laksmi and Narayana.
Vishnudut1926: This is the Verse 14, I have talked above. Now let's turn to the original Sanskrit Variant of "Shree Lakshmi-Tantra".
The Verse 14 is:
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| "Shree Lakshmi-Tantra", Verse 13.14 from Original Sanskrit Tantra |
The last line is:
"prapnoti param brahma LakshmiNarayanatmakam".
Thus, the translation must be either:
- "this bhakti-yogin attains the Abode of Para-Brahman Shree Shree Lakshmi-Narayana"
or
- "this bhakti-yogin attains the Loving Service to Para-Brahman Shree Shree Lakshmi-Narayana"
or
- "this bhakti-yogin attains the Para-Brahman which True Nature is Shree Shree Lakshmi-Narayana"
or
- "this bhakti-yogin becomes brahm-rup (shuddha-sattva, free from bandha, only atma-state) and attains the Abode of Para-Brahman Shree Shree Lakshmi-Narayana)"
So, as you see, 4 translations are possible, none of them is Advaitic and all of them are only Vaishnava and Bhakti-influenced.
13.15. This is My Fifth Shakti known as Anugraha. The reason for My engaging in activities such as Tirobhava etc. is purely a matter of My Own Choice.
13.16. Thus, O Shakra, understand My fivefold Divine functions, about which I have nothing further to add.
Sakra said: - I salute Thee, Who livest in the lotus, I salute Thee, who shelterest in Bhagavan Shree Narayana.
13.17-18. I salute Thee, Eternal and Flawless Goddess, Who art, as it were, the Ocean of all blessings.
(Though) the great darkness (of my mind) has been dispelled by the flow of Thy nectar-like words, (yet),
I am eager to know more about the excellent form of Chit-Shakti.
13.18. Shreemati Maha Lakshmi-Devi said: "Bhagavan Shree Narayana is the Unique God, the Eternal Supreme Soul.
13.19. Bhagavan Shree Narayana is the Everlasting Embodiment of (all the attributes, viz.):
1) Jnana,
2) Bala,
3) Aishvarya,
4) Veerya,
5) Shakti and
6) Ojas (i.e. Tejas).
Bhagavan Shree Narayana is Beginningless and without limitation in space; time or form.
13.20. I, the Supreme Goddess, am His Sakti, consisting of His I-hood, resplendently displaying the Six (Divine) attributes; Omnipotent and Eternal.
13.21. My Unique Essential Form consists of Pure and Unlimited consciousness. All the successful (yogins) amongst all the jivas exist in Me.
13.23. Of My own choice I descend (through Limited Forms) in fulfilment of My five functions. This, My descending Self is called Chit-Shakti.
13.24. This is My Limited (Self) consisting of concentrated consciousness, which is Pure and at the same time Independent.
Even in this (concentrated consciousness) the universe is manifest, similarly as the reflection of a mountain may be caught in a (small) mirror.
13.25. This (limited manifestation of Mine) is transparent and ever shining like a diamond. As pure brilliance is the quality of the sun, so is consciousness its quality.
13.26. Jiva is spontaneously manifested by her (Chit-Shakti) possessing similar traits and this jiva is also continuously occupied in performing the five daily duties.
13.27. The contact (of Chit-Shakti) with (objects such as) blue, yellow etc. is called by the wise "srshti". Attachment to such objects (of Chit-Shakti) is called "sthiti".
13.28. The cessation of (the jiva's) attachment to objects, caused by the desire to seize another, is referred to by the learned in the science of the principles, as "samhrti".
13.29. The impression (vasana) left by them (i.e. objects) is tirobhava and the eradication of that impression is Anugraha.
This destruction has the propensity, like fire, to destroy everything within reach.
13.31. When in consequence of (the advent of) pure knowledge, the jiva discards its limitations, then freed from every shackle it becomes illuminated (with knowledge).
13.32. In consequence of (the advent of the Divine Attributes) jnana and kriya, it (then) becomes omniscient and omnipotent; and since all fetters have been removed, in acquiring my nature it even becomes non-molecular (in size, i.e. infinite).
13.34. Observing objects with the eye (i.e. a sense organ), using the mind to form notions, attributing ego-consciousness by virtue of ahamkara, it finally uses intelligence to determine (an object).
13.35. Thus from having lived in the waking state, it enters the dream state by relying then solely on its internal senses. From that state, in a state of profound sleep, it reverts to its own true nature.
13.36-39. These three states actually belong to prakrti, and not to the jiva.
Even the state of turya, entered during the jiva's meditative trance, does not properly belong to it.
The jiva does indeed consist of pure transcendental substance (Shuddha-Sattva).
It is independent of all states, is unaffected by any attributes belonging to prakrti, is unlimited by the conditions (upadhis) and is indivisible.
In fact the jiva incorporates (pure) consciousness.
But although that is its essence, it becomes blinded by avidya and hence does not see Me, who am (however) clearly visible and am identical with its own self.
Vishnudut1926: "Ambuja" (अम्बुज) translates as "born from the water". Shreemati Lakshmi-Devi is Ambuja (अम्बुज), because She has manifested from the Ocean (see the famous Verse 8.8.8 of "Shreemad Bhagavatam").
13.40. Shreemati Maha Lakshmi-Devi said: "Shakra, consider Me to be intuitively realizable by all embodied beings. Now hear with attention My (True) Nature".
"Maha Lakshmi Karuna Rasa" - The Power of the Lady, who stole the mind of Maadhavaa
"Maha Lakshmi Karuna Rasa" is of my most favourite Krithis and it is included in my everyday Dhyana and Listening List.
You can see and listen to this Krithi on Shangu Chakra Gadha Padmam Channel - https://www.youtube.com/watch?v=GU-li9iEpOQ
I have downloaded the Krithi from Shangu Chakra Gadha Padmam Channel and now it is my folders too:
The meaning of "Maha Lakshmi Karuna Rasa" is incredible.
See how wonderfully and beautifully Shreemati Lakshmi Devi connected to "MADHAVA" name of Bhagavan Shree Vishnu and you will be amazed too!
Excerpt from the Krithi and explanation from "Dikshitar's MahaLakshmi Kritis" (see AV049 at sadangopan.org)
"adiyEn will now cover the Krithi set in the Uphanga Rakthi ragam known as Madhava Manohari (MahaaLakshmi Karunaa rasa Lahari).
The fourth of the seven Krithis composed by Dikshitar on Mahaalakshmi is inragam Madhava Manohari, a Janya ragam of the Melam Hari Hara Priyaa (Karaharapriyaa).
The name of this rakthi ragam itself has sacred connotations.
It is a feminine raga devatha symbolizing the Mangala Devathaa, who charmed the mind of Maadhavaa.
It is instructive to understand the significance of the name Maadhavaa, so that one can understand the power of the Lady, who stole the mind of Maadhavaa.
The name Maadhavaa is the 169th Sahasra Namam of Vishnu (http://www.ahobilavalli.org/ebooks_s4.htm).
There are two explanations for this Name.
1. First, Niruktham says:
He is Maadhava since He propounds the true knowledge about Himself as the supreme being.
The knowledge of Hari is called "Maa".
Thou art the master of that knowledge.
Therefore Thou art known as Maadhavaa. "Dhavah" means Lord.
2. The second explanation is given in Mahaa Bharata to Arjuna:
"O Bharata! Know that He is called Maadhavaa since He is endowed with Mauna (Maa), Dhyanaa (Dha) and Yoga (Va). He is thus the embodiment of Silence, meditation and practice (Maadhavan).
MahaaLakshmi, who allures the Lord Maadhavaa's mind (Manohari) is hence known as Maadhava Manohari.
There are no other krithis known in this ragaa.
Dikshitar chose an appropriate Ragam with such powerful meaning for saluting Mahaaa Lakshmi."
воскресенье, 15 сентября 2013 г.
Selected Images from the previous 95 ones
Actually all the Images are being extremely liked by me, but the following 15 Paintings are especially significant.
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| Shreemati Lakshmi-Devi, very unusual pallette is used in this picture |
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| After reading the "Venkatesha Mahatmyam" I was very eager to find the most beatiful Images of the Foot of The Husband (Bhagavan Shree Krishna) |
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| The Marriage of Shreemati Parvati-Devi and Shiva. Shreemati Parvati-Devi is very beautiful and modest in this Image. |
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| Vishva-Rupa of Bhagavan Shree Krishna. Very unusual Image. |
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| I fell in love with this picture. It is very girlish and all about girlish daydreaming. |
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| Very unusual Image in Chinese Ink style!!!!! |
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| Krishna plays Love Serenade for Shreemati Radharani-Devi. |
Rasas, Colours and Presiding Avatars of Bhagavan Shree Vishnu and why Gopis never suffer when Krishna leaves Vrindavan
Recently there was a question on one of the Russian forums dedicated to Krishna: "Why Bhagavan Shree Krishna leaves Vrindavan, when He knows, that Gopis will suffer from Vipralambha?".
I have replied with the point of view of Mukta-Jivas and Shuddha-Advaita. Actually, there is no such notion as Krishna-Vipralambha as Bhagavan Shree Krishna is All-Pervading and Krishna is Everywhere and His Bhaktas perfectly knows that Krishna never leaves His Bhaktas.
Besides, Mukta-Jivas can create a certain number of siddha-dehas. It means, that if they are not with Krishna in One Universe, They are with Krishna in some other Universe.
It is an ordinary life of Mukta-Jiva: you can create one Siddha-Deha, which will participate in Vipralambha-Leela and the other Siddha-Deha, which will participate in Rati-Keli with Bhagavan Shree Krishna.
But I forgot to note in my answer, that with the Pure Bhakti point of view, Karuna-Rasa never pose a threat for Raganuga and Ragatmika-Bhaktas. Shree Shreemad Rupa Goswami writes about this Siddhanta from the Verse 2.5.123 in "Shree Bhakti-Rasamrita-Sindhu".
Before I cite these Verses very interesting Chart with Rasas is published, because this article was implied just as the comparison of charts by Shree Shreemad Bihari and Shree Shreemad Rupa Goswami.
But now it is article about the NON-sufferings of Gopis. HAHAHAHAHAHAHA!!!!!!!!!!!!!
The comparison of Shree Shree Bihari and Shree Shreemad Rupa Goswami are intended only for the Happiness of Study. I warn you against judging which chart is better. Both Acharyas were Geniuses and the comparison will be a sin and an offense to Them.
Shree Shreemad Bihari discusses the relation "Rasa - Avatar of Bhagavan Shree Vishnu" in Satsai.
Shree Shreemad Rupa Goswami writes about this relation in "Bhakti-Rasamrita-Sindhu".
The version of Shree Shreemad Bihari (the also can be seen at dropbox and minus):
And this is the version of Shree Shreemad Rupa Goswami from "Bhakti-Rasamrita-Sindhu".
tatra mukhyaḥ —
mukhyas tu pañcadhā śāntaḥ prītaḥ preyāṁś ca vatsalaḥ |
madhuraś cety amī jñeyā yathā-pūrvam anuttamāḥ ||2.5.115||
Mukhya-rasa (primary rasa):
“The primary bhakti-rasas are five: śānta, prīti, preyo, vatsala and madhurya. The order of excellence is from first to last.”
atha gauṇaḥ —
hāsyo’dbhutas tathā vīraḥ karuṇo raudra ity api |
bhayānakaḥ sa bībhatsa iti gauṇaś ca saptadhā ||2.5.116||
Gauṇa-rasa (secondary rasa):
“There are seven secondary rasas: hāsya (humor), adbhuta (astonishment), vīra (enthuiasm), karuṇa (lamentation), raudra (anger), bhanāyaka (fear) and bībhatsa (disgust).”
evaṁ bhakti-raso bhedād dvayor dvādaśadhocyate |
vastutas tu purāṇādau pañcadhaiva vilokyate ||2.5.117||
“Thus there are a total of twelve primary and secondary rasas, but only five are mentioned in the Purāṇas.”
śvetaś citro’ruṇaḥ śoṇaḥ śyāmaḥ pāṇḍura-piṅgalau |
gauro dhūmras tathā raktaḥ kālo nītaḥ kramād amī ||2.5.118||
The twelve rasas have twelve colors as follows: white (śānta), multicolored (prīti), saffron (preyān or sakhya), crimson (vatsala), indigo (madhura), light yellow (hāsya), yellow-green (adbhuta), gold (vīra), purple (karuṇa), red (raudra), black (bhayānaka) and blue (bībhatsa).
kapilo mādhavopendrau nṛsiṁho nanda-nandanaḥ |
balaḥ kūrmas tathā kalkī rāghavo bhārgavaḥ kiriḥ |
mīna ity eṣu kathitāḥ kramād dvādaśa devatāḥ ||2.5.119||
“There are twelve Deities assigned to the twelve rasas as follows:
Kapila (śānta),
Mādhava (prīti),
Upendra (preyān or sakhya),
Nṛsiṁha (vatsala),
Kṛṣṇa (madhura),
Balarāma (hāsya),
Kūrma (adbhuta),
Kalkī (vīra),
Rāma
(karuṇa),
Prāśurāma (raudra),
Varāha (bhayānaka) and
Mīna (bībhatsa).”
(note by Vishnudut 1926: "Mīna = Matsya-Avatara of Bhagavan Shree Vishnu")
pūrter vikāra-vistāra-vikṣepa-kṣobhas tathā |
sarva-bhakti-rasāsvādaḥ pañcadhā parikīrtitaḥ ||2.5.120||
“There are five tastes in the bhakti-rasas: pūrti, vikāśa, vistāra, vikśepa and kṣobha.”
pūrtiḥ śānte vikāśas tu prītādiṣv api pañcasu |
vīre’dbhute ca vistāro vikṣepaḥ karuṇograyoḥ |
bhayānake’tha bībhatse kṣobho dhīrair udāhṛtaḥ ||2.5.121||
“The learned say that pūrti (satisfaction) is manifested in śānta-rasa, vikāśa (brightness) is manifested in all the rasas from prīti to hāsya, vistāra (expansion) is manifested in vīra-rasa and adbhuta-rasa, vikṣepa (distraction) is manifest in karuṇa-rasa and raudra-rasa, and kṣobha (disturbance) is manifest in bhayānaka-rasa and bībhatsa-rasa.”
akhaṇḍa-sukha-rūpatve’py eṣām asti kvacit kvacit |
raseṣu gahanāsvāda-viśeṣaḥ ko’py anuttamaḥ ||2.5.122||
“Though all the bhakti-rasas are the embodiment of pure happiness, among the rasas there is sometimes a special deep incomparable taste.”
pratīyamānā apy ajñair grāmyaiḥ sapadi duḥkhavat |
karuṇādyā rasāḥ prājñaiḥ prauḍhānanda-mayā matāḥ ||2.5.123||
“Though the completely ignorant people and those with mistaken knowledge immediately think that rasas such as karuṇa are full of grief, those persons with knowledge of rasa say that these rasas are full of profound bliss.”
alaukika-vibhāvatvaṁ nītebhyo rati-līlayā |
sad-uktyā ca sukhaṁ tebhyaḥ syāt suvyaktam iti sthitiḥ ||2.5.124||
“It is well-established by the knowers of rasa that, by the speeches of the devotees and by the nature of rati itself, karuṇa, bhayanaka and bībhatsa will produce happiness, since those rasas have the nature of manifesting vibhāva (Kṛṣṇa) and other elements that produce extraordinary, astonishing bliss.”
tathā ca nāṭyādau —
karuṇādāv api rase jāyate yat paraṁ sukham |
sucetasām anubhavaḥ pramāṇaṁ tatra kevalam ||2.5.125||
This is confirmed in the statement of the Nātya-śāstra:
“The absolute proof that karuṇa and the other ‘negative’ rasas produce happiness is the experience of the soft-hearted devotees.”
sarvatra karuṇākhyasya rasasyaivopapādanāt |
bhaved rāmāyaṇādīnām anyathā duḥkha-hetutā ||2.5.126||
“If karuṇa-rasa did not give rise to happiness, then Rāmāyaṇa would be a cause of grief for the bhāvaka-bhaktas, since that and other works reveal karuṇa-rasa throughout.”
tathātve rāma-pādābja-prema-kallola-vāridhiḥ |
prītyā rāmāyaṇaṁ nityaṁ hanumān śṛṇuyāt katham ||2.5.127||
“If Rāmāyaṇa were a cause of grief, why should Hanumān, who is an ocean filled with the waves of Rāma’s lotus feet, continually hear Rāmāyaṇa with pleasure?”
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